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1 ♦ touch
♦ touch /tʌtʃ/n.1 tocco; toccata; leggero colpo; colpetto: I felt a touch on my shoulder, mi sentii dare un colpetto sulla spalla; at the slightest touch, al più lieve tocco; He put the finishing touches to the painting, diede gli ultimi tocchi al quadro2 [u] (fisiol.) tatto: the sense of touch, il senso del tatto; This cloth is soft to the touch, questa stoffa è soffice al tatto3 [u] contatto; comunicazione; relazione; rapporto: to get in touch with sb., mettersi in contatto con q.; I'm no longer in touch ( o I'm out of touch) with my schoolfellows, non sono più in relazione con i miei compagni di scuola; I've lost touch with them, ho perso i contatti con loro (o li ho persi di vista)4 (un) po'; (un) tantino; (un) pizzico; (un) sentore: a touch of humour, un po' d'umorismo; a touch of salt in the soup, un pizzico di sale nella zuppa5 maniera; modo (caratteristico); tono; tocco; impronta; stile: a touch of class, un tocco di classe; (pubbl.) the personal touch that means so much, quel tono personale che significa tanto6 (med.) palpamento; palpazione8 ( calcio, ecc.) tocco ( del pallone: con i piedi); modo di trattare ( il pallone); He displayed an excellent touch, ha esibito un eccellente tocco di palla9 [u] ( calcio, hockey, rugby) campo per destinazione ( fascia laterale intorno al terreno di gioco, larga almeno un metro e mezzo)10 ( calcio, rugby) fallo laterale: He kicked the ball into touch, calciò la palla in fallo laterale13 ( tennis) tocco ( della palla: con la racchetta); ( anche) buon tocco; senso della palla: He relies on touch rather than force, fa affidamento più sul buon tocco della palla che sulla potenza dei colpi14 ( slang USA) richiesta di denaro; stoccata (fig.): I ignored the touch, feci finta di non aver udito la stoccata● (aeron.) touch and go, atterraggio seguito da un immediato decollo □ a touch-and-go affair, un affare incerto, assai dubbio □ (elettr.) touch control, comando manuale □ (stor.) touch hole, focone ( d'arma da fuoco antiquata) □ ( rugby) touch judge, giudice di linea laterale; segnalinee □ ( rugby) touch kick, calcio in touche □ (bot.) touch-me-not, ( Impatiens nolitangere) noli me tangere; ( Ecballium elaterium) cocomero asinino □ ( oreficeria) touch needle, ago d'assaggio □ touch of nature, caratteristica peculiare, innata ( di un individuo) □ (med.) a touch of the sun, un lieve colpo di sole □ touch pad, ( nuoto) pannello d'arrivo ( in piscina); (comput.) ► touchpad □ (comput.) touch pen, stilo; pennino ( usato per i palmari) □ touch screen, touch screen; schermo tattile; schermo a sfioramento □ touch system, dattilografia a tastiera cieca □ (telef.) touch-tone phone, telefono (con composizione) a toni □ (pitt.) touch-up, ritocco; ritoccatura □ to keep in touch with sb., restare in contatto (o in relazione) con q.: DIALOGO → - Hearing from an old friend- Sorry I haven't kept in touch, scusa se non sono rimasto in contatto □ to keep in touch with st., tenersi al corrente di qc. □ to be out of touch with st., non essere più al corrente di qc. □ to put to the touch, mettere alla prova; saggiare □ I'll be in touch, mi farò vivo io □ It was touch-and-go whether we would get there, era assai dubbio che ci saremmo mai arrivati.♦ (to) touch /tʌtʃ/v. t. e i.1 toccare; toccarsi; tastare; arrivare a; concernere, riguardare, avere a che fare con; sfiorare, trattare superficialmente ( un argomento); commuovere, intenerire, colpire: Don't touch the paint: it's wet, non toccare la vernice: è fresca!; His fingers touched her face, le sue dita hanno toccato il suo viso; A smile touched his lips, un sorriso gli sfiorò le labbra; The two farms touch ( each other), i due poderi si toccano (o sono confinanti); The submarine touched the bottom of the sea, il sottomarino ha toccato il fondo del mare; I've touched his pride, ho toccato (o ferito) il suo orgoglio; Can you touch the ceiling?, riesci a toccare il soffitto?; I hadn't touched food for three days, non toccavo cibo da tre giorni; The sad sight touched my heart, quella triste visione mi ha toccato il cuore; This doesn't touch the point at issue, ciò non ha niente a che fare col punto in discussione; I didn't touch (on) that subject, non ho toccato (o non ho trattato) quell'argomento; I never touched it!, ma se non l'ho neanche toccato!2 far toccare; mettere a contatto; accostare; portare (a contatto): I just touched the two cups together and they broke, ho appena accostato le due tazze e si son rotte!3 (spec. in frasi neg.) reggere il confronto con; eguagliare; valere: Nobody can touch him for purity of style, nessuno può eguagliarlo per purezza di stile4 avere effetto su: His sad experiences as a POW haven't touched him at all, le sue tristi esperienze di prigioniero di guerra non hanno avuto alcun effetto su di lui6 danneggiare leggermente; nuocere un poco a: The flowers were touched by the frost, i fiori sono stati leggermente danneggiati dalla brina7 toccare; avere a che fare con; sentir parlare di: I won't even touch playing cards, non voglio neanche sentir parlare di carte da gioco● (fam. USA) to touch base with sb., restare in contatto con q. □ to touch the bell, suonare il campanello ( premendo il pulsante) □ to touch ( the) bottom, ( in acqua) toccare il fondo, toccare; (fig.) toccare il fondo ( della depravazione, della sfortuna, ecc.); andare al fondo ( d'una questione); (fin.: di prezzi, ecc.) raggiungere il livello minimo: Can you touch bottom over there?, si tocca laggiù? □ to touch glasses, toccare i bicchieri; (fig.) fare un brindisi □ ( sport) to touch gloves, toccare i guantoni ( dell'avversario) □ (fam.) to touch the spot, toccare il tasto giusto; essere quel che ci vuole □ to touch sb. to the quick, pungere q. sul vivo; toccare q. nel suo punto debole □ to touch wood, toccare legno ( come scaramanzia; cfr. ital. «toccare ferro») □ I couldn't touch the algebra exercise, l'esercizio d'algebra non sono riuscito neanche a cominciarlo □ ( pallavolo) touching the ball twice, doppio tocco ( fallo). -
2 touch
I n1) infml2) slLooks like he wants to make a touch — Похоже, он хочет занять
That was a quick ten dollar touch which was never intended to be returned — Мы могли по-быстрому сшибить баксов десять, которые и не собирались возвращать
I ignored the touch and walked on by — Я проигнорировал его, когда он пытался сшибить у меня монету
3) AmE slHe was just the kind of touch we were looking for — Мы как раз искали такого клиента, чтобы сшибить у него монету
II vt AmE slThe touch looked around him and gave the stiff two bits — Чувак, которого колол этот алкаш, оглянулся по сторонам и сунул ему четвертак
I'll bet they're cooking up some new scheme to touch the Old Man — Голову даю на отсечение, что они сейчас что-то там химичат, чтобы расколоть старика на энную сумму
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3 Leonardo da Vinci
[br]b. 15 April 1452 Vinci, near Florence, Italy,d. 2 May 1519 St Cloux, near Amboise, France.[br]Italian scientist, engineer, inventor and artist.[br]Leonardo was the illegitimate son of a Florentine lawyer. His first sixteen years were spent with the lawyer's family in the rural surroundings of Vinci, which aroused in him a lifelong love of nature and an insatiable curiosity in it. He received little formal education but extended his knowledge through private reading. That gave him only a smattering of Latin, a deficiency that was to be a hindrance throughout his active life. At sixteen he was apprenticed in the studio of Andrea del Verrochio in Florence, where he received a training not only in art but in a wide variety of crafts and technical arts.In 1482 Leonardo went to Milan, where he sought and obtained employment with Ludovico Sforza, later Duke of Milan, partly to sculpt a massive equestrian statue of Ludovico but the work never progressed beyond the full-scale model stage. He did, however, complete the painting which became known as the Virgin of the Rocks and in 1497 his greatest artistic achievement, The Last Supper, commissioned jointly by Ludovico and the friars of Santa Maria della Grazie and painted on the wall of the monastery's refectory. Leonardo was responsible for the court pageants and also devised a system of irrigation to supply water to the plains of Lombardy. In 1499 the French army entered Milan and deposed Leonardo's employer. Leonardo departed and, after a brief visit to Mantua, returned to Florence, where for a time he was employed as architect and engineer to Cesare Borgia, Duke of Romagna. Around 1504 he completed another celebrated work, the Mona Lisa.In 1506 Leonardo began his second sojourn in Milan, this time in the service of King Louis XII of France, who appointed him "painter and engineer". In 1513 Leonardo left for Rome in the company of his pupil Francesco Melzi, but his time there was unproductive and he found himself out of touch with the younger artists active there, Michelangelo above all. In 1516 he accepted with relief an invitation from King François I of France to reside at the small château of St Cloux in the royal domain of Amboise. With the pension granted by François, Leonardo lived out his remaining years in tranquility at St Cloux.Leonardo's career can hardly be regarded as a success or worthy of such a towering genius. For centuries he was known only for the handful of artistic works that he managed to complete and have survived more or less intact. His main activity remained hidden until the nineteenth and twentieth centuries, during which the contents of his notebooks were gradually revealed. It became evident that Leonardo was one of the greatest scientific investigators and inventors in the history of civilization. Throughout his working life he extended a searching curiosity over an extraordinarily wide range of subjects. The notes show careful investigation of questions of mechanical and civil engineering, such as power transmission by means of pulleys and also a form of chain belting. The notebooks record many devices, such as machines for grinding and polishing lenses, a lathe operated by treadle-crank, a rolling mill with conical rollers and a spinning machine with pinion and yard divider. Leonardo made an exhaustive study of the flight of birds, with a view to designing a flying machine, which obsessed him for many years.Leonardo recorded his observations and conclusions, together with many ingenious inventions, on thousands of pages of manuscript notes, sketches and drawings. There are occasional indications that he had in mind the publication of portions of the notes in a coherent form, but he never diverted his energy into putting them in order; instead, he went on making notes. As a result, Leonardo's impact on the development of science and technology was virtually nil. Even if his notebooks had been copied and circulated, there were daunting impediments to their understanding. Leonardo was left-handed and wrote in mirror-writing: that is, in reverse from right to left. He also used his own abbreviations and no punctuation.At his death Leonardo bequeathed his entire output of notes to his friend and companion Francesco Melzi, who kept them safe until his own death in 1570. Melzi left the collection in turn to his son Orazio, whose lack of interest in the arts and sciences resulted in a sad period of dispersal which endangered their survival, but in 1636 the bulk of them, in thirteen volumes, were assembled and donated to the Ambrosian Library in Milan. These include a large volume of notes and drawings compiled from the various portions of the notebooks and is now known as the Codex Atlanticus. There they stayed, forgotten and ignored, until 1796, when Napoleon's marauding army overran Italy and art and literary works, including the thirteen volumes of Leonardo's notebooks, were pillaged and taken to Paris. After the war in 1815, the French government agreed to return them but only the Codex Atlanticus found its way back to Milan; the rest remained in Paris. The appendix to one notebook, dealing with the flight of birds, was later regarded as of sufficient importance to stand on its own. Four small collections reached Britain at various times during the seventeenth and eighteenth centuries; of these, the volume in the Royal Collection at Windsor Castle is notable for its magnificent series of anatomical drawings. Other collections include the Codex Leicester and Codex Arundel in the British Museum in London, and the Madrid Codices in Spain.Towards the end of the nineteenth century, Leonardo's true stature as scientist, engineer and inventor began to emerge, particularly with the publication of transcriptions and translations of his notebooks. The volumes in Paris appeared in 1881–97 and the Codex Atlanticus was published in Milan between 1894 and 1904.[br]Principal Honours and Distinctions"Premier peintre, architecte et mécanicien du Roi" to King François I of France, 1516.Further ReadingE.MacCurdy, 1939, The Notebooks of Leonardo da Vinci, 2 vols, London; 2nd edn, 1956, London (the most extensive selection of the notes, with an English translation).G.Vasari (trans. G.Bull), 1965, Lives of the Artists, London: Penguin, pp. 255–271.C.Gibbs-Smith, 1978, The Inventions of Leonardo da Vinci, Oxford: Phaidon. L.H.Heydenreich, Dibner and L. Reti, 1981, Leonardo the Inventor, London: Hutchinson.I.B.Hart, 1961, The World of Leonardo da Vinci, London: Macdonald.LRD / IMcN
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